Behringer Wing Digital Mixer is a powerful and versatile console that offers professional-level features and flexibility for live sound, studio application
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The Behringer WING 48-channel Digital Mixer is powerful and simple to use. 24 smooth-feeling motorized 100mm faders, a capacitive touchscreen, configurable display wheel, and touch-sensitive rotary controls provide first-class hands-on control. Eight MIDAS Pro mic preamps and several digital I/O choices allow for high-quality sound capture. Record 64 channels directly to dual-SD cards, utilize Dante extension cards, or use the WING’s built-in 48-in/48-out USB audio interface to record directly to your DAW. The WING’s simple Sources make it easy to focus on source audio rather than mix details. The WING digital console improves live sound with 16 true-stereo processors and standard and vintage modeled effects.
Digital mixers are insanely powerful; thus they can seem intimidating. That’s not the case with the WING. Despite its deep feature set, it’s a breeze to navigate. Its interface centers around a large capacitive touchscreen that’s augmented by touch-sensitive rotary controls. Best of all, its three fader sections and Custom Controls section can be tailored to your personal requirements. It doesn’t get much more intuitive than that! Whether you require a specific bus send fader next to the corresponding channel fader, or a meticulously configured custom channel that’s always at the ready, the WING is made for the way you want to work.
The WING is jam-packed with I/O — 374 inputs and outputs, to be exact. And if you include its internal signals, the WING includes 400 inputs and outputs. Faced with this much I/O, Behringer’s engineering team reimagined the flow of a traditional mixer, putting the emphasis on your source audio, using what Behringer calls — quite fittingly — Sources. In the WING, inputs are much more than historical inputs, because they contain metadata on what the Source is — tags, input icon, input color, gain, phantom power, and if the Source is mono, stereo, or mid-side. All of that information follows the Source to any channel. With one simple button, that information can be copied to the channel, and the tags, icon, color, and other metadata show up on the channel immediately. If you move a Source to another channel, the information goes with it, no need for old fashioned copying and pasting.
The implementation is carefully thought out, as well. Let’s face it, labeling and gain-staging 374 Sources can take some time. The workload can be easily split between two people as the WING is ready for dual operators. One person can be in charge of labeling the channels, including name, icon, color, tags, multiple mute groups, mono/stereo/mid-side configuration, and more. Using the 4-channel area of the WING as a separate work area, a second person can be in charge of gain-staging and determining phantom power for each source. To make things easier still, this can also be done from the WING Co-Pilot tablet app to label or set any of the parameters while patching from the stage. The beauty of this is whether you are looking at a channel, SD recorder, or any other output, you will always see and be able to refer to the Source.
Since Sources are so important, the WING must also redefine channels. With 374 Sources, a 1-channel input feels weak. The WING has reimagined a single channel. Its 48 channels—40 inputs and eight returns—can be mono, stereo, or mid-side. A stereo Source automatically produces a channel in stereo. Each channel has a stereo alternative (ALT) input, making switching between sources easy.
WING ALT inputs save lives. Say you have stereo tracks playing from a computer and a redundant hardware track player synchronised to the computer. Hardware tracks may automatically or manually take over if the computer fails. That requires four channels on a typical console. One WING. Route the computer’s stereo Source to one channel. Set the ALT input to hardware player stereo. Redundant vocal mics have further uses. If a wireless transmitter battery dies, the singer takes a backup microphone and switches the signal. Again, one channel. Virtual sound tests were never easier. Just assign your 48 USB or 64 XLive playback tracks to ALT inputs, push play, and everything will switch and be ready for your virtual soundcheck.ext
All of the WING’s 48 input channels and 28 bus mixes can be used for mono, stereo, or mid-side sources — no channel linking required. And, as noted above, when you assign a stereo Source to a channel it automatically renders the channel in stereo. Best of all, there’s no need to reboot the console when you apply a mode change (the live sound engineers here did back flips when they realized this). This means that you can make on-the-fly changes from mono to stereo and back again.
Designed from the ground up for immediate channel status overview and flow of operation, the WING’s innovative channel editing section offers effortless operation. It’s tailor-made for multitasking, enabling you to work on the selected channel’s processing, even while the main display is being used for something else entirely. And the Behringer WING Digital Mixer touch-sensitive rotary controls put the most relevant information right at your fingertips.
The Behringer WING supplies you with all the hands-on control you need. It all starts with 24 motorized 100mm faders. These ultra-smooth faders make this digital console an absolute joy to mix on. Its central section includes a bevy of user-assignable controls, including four touch-sensitive rotary encoders and 20 buttons with two LCD screens. Apply whatever functions you’d like to have within reach, and they’ll always be at your fingertips. Make fine adjustments of up to eight user parameters with the WING’s adjustable display wheel, or use it for DAW remote control via USB MIDI. The WING’s configuration also includes pre-defined functionality for USB and SD card recorder transport, show control, and mute groups.
Putting a pro-quality sheen on your mixes is easy with the Behringer WING Digital Mixer. A Standard FX rack with eight true-stereo processors supplies you with a useful array of modulation, EQ, and dynamics effects. Beyond that, you also get a second Premium FX rack with eight true-stereo processors with sought-after algorithms from TC Electronic’s M3000 multi-effects processor, as well as world-class effects from Lexicon, Quantec, and EMT. All 40 of the WING’s stereo input channels boast built-in EQ and dynamics, some of which are modeled after famous hardware from legendary manufacturers like Pultec, SSL, SPL, Neve, Focusrite, dbx, Universal Audio, Elysia, and Empirical Labs. Finally, this digital mixer’s four main, eight matrix, and 16 stereo aux buses all feature dual inserts, 8-band parametric EQs, a stereo imager, and full dynamics processing.
The WING’s abundant I/O and expandability provide you great versatility. Starting with 40 stereo input processing channels and eight stereo aux channels. 16 stereo aux buses, eight stereo matrixes, and four stereo mains are output processing channels. Three AES50 ports provide plug-and-play remote I/O connection for 144 input/output signals. The WING has MIDI, AES/EBU stereo digital I/O, two headphone connections, and four GPIO ports. It captures 64 channels of 32-bit/48kHz audio straight to two SD or SDHC cards using a WING-LIVE card. Optional cards provide Dante support. The WING’s 48-in/48-out USB audio interface with HUI and Mackie Control DAW remote capabilities makes it a terrific studio tool.
When it comes to sound quality, the Behringer WING Digital Mixer doesn’t compromise. 40-bit floating-point processing at 48kHz or 44.1kHz with 1ms round-trip latency yield the top-shelf sound you demand. Eight legendary MIDAS Pro mic preamps and eight MIDAS Pro XLR outputs ensure that you capture high-quality sound. Eight channels of line-level auxiliary I/O on balanced TRS connectors bring in signals from media players or computers with the utmost in fidelity. Need more? A built-in StageCONNECT interface adds 32 channels of low-latency I/O over a single XLR microphone cable. Using the WING’s three AES50 networks, you can connect to 144 Sources. What’s more, the AES50 networks are compatible with MIDAS M32 and Behringer X32 mixers. Simply join your current M32/X32 network, and you’re good to go. You can also add Dante for endless possibilities.
When you need fast, dependable automixing, the Behringer WING Digital Mixer Auto Pilot gives you exactly that, providing you with automixing with two groups of gain sharing on any 16 input channels. And we do mean fast — it automatically tracks which microphone is receiving the highest levels and instantly increases its channel gain, all while reducing the sum of gain for all other channels in the same group. And it sounds excellent — ambient noise remains low, while intelligibility and gain before feedback are increased. Auto Pilot is perfect for corporate events, panel discussions, house of worship, and broadcast applications with multiple speakers.
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