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Shure VP88 Stereo Condenser Microphone

Condenser stereo microphone combines 2 condenser cartridges to create a stereo audio image of the sound source. It includes a windscreen, swivel adapter, and Y-cable, switch-selectable, low-frequency roll off, internal shock mount, and a pop screen.
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Shure KSM137 Small-diaphragm Condenser Microphone – Stereo Pair

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Cardioid instrument microphone delivers excellent sound isolation and superior transient response. It features a gold-layered Mylar diaphragm, preamplifier for transparency, subsonic filter to stop low frequency rumble, and a pad for handling SPLs.
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Shure KSM137 Small-diaphragm Condenser Microphone

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Cardioid instrument microphone delivers excellent sound isolation and superior transient response. It features a gold-layered Mylar diaphragm, preamplifier for transparency, subsonic filter to stop low frequency rumble, and a pad for handling SPLs.
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Shure KSM141 Small-diaphragm Condenser Microphone – Stereo Pair

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Dual pattern instrument microphone offers transition between cardioid and omnidirectional patterns and features extended frequency response, pad for handling SPLs, a gold-layered Mylar diaphragm, and a subsonic filter for low frequency rumble.
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Shure KSM141 Small-diaphragm Condenser Microphone

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Dual pattern instrument microphone offers transition between cardioid and omnidirectional patterns and features extended frequency response, pad for handling SPLs, a gold-layered Mylar diaphragm, and a subsonic filter for low frequency rumble.
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Shure KSM313/NE Dual-voice Ribbon Microphone

Dual-voice ribbon microphone features a bi-directional pattern for premier audio, superior off-axis rejection, and a highly durable ribbon element for increased resilience at extreme SPLs.
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Shure KSM32 Large-diaphragm Condenser Microphone

Cardioid condenser microphone delivers a smooth, neutral sound reproduction with full character and consists of a microphone, a padded, zippered carrying bag, and a swivel mount.
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Shure KSM32 Large-diaphragm Condenser Microphone – Champagne

Cardioid condenser microphone delivers a smooth, neutral sound reproduction with full character and consists of a microphone, a padded, zippered carrying bag, and a swivel mount.
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Shure KSM353/ED Ribbon Microphone

Bi-directional ribbon microphone provides premier, symmetrical audio with off-axis rejection. Features increased durability and a dual-sided transformer that minimizes signal loss while stopping RF interference.
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Shure KSM42 Large-diaphragm Condenser Microphone
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Shure KSM42 Large-diaphragm Condenser Microphone

KSM42 Large-diaphragm Condenser Microphone Large-diaphragm, Side-address Cardioid Condenser Microphone, designed for professional studio recording and critical sound. The KSM42 large-diaphragm cardioid condenser microphone package is a great deal on an excellent vocal microphone and more!

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Shure KSM44A Condenser Microphone
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Shure KSM44A Condenser Microphone

KSM44A Large-diaphragm Condenser Microphone Large-diaphragm, Low-noise, Multi-pattern Condenser Microphone

It features dual gold Mylar diaphragms for superior transient response, a subsonic filter, and preamplifier for transparency.

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Shure KSM8 Dualdyne Dynamic Vocal Microphone

With two ultra-thin diaphragms and groundbreaking reverse airflow technology, the KSM8 Dualdyne™ delivers unmatched control of proximity effect, presence peaks, and bleed and requires minimal EQ and processing.

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Shure KSM8 Dualdyne Vocal Microphone – Nickel

With two ultra-thin diaphragms and groundbreaking reverse airflow technology, the KSM8 Dualdyne Vocal Microphone delivers unmatched control of proximity effect,
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Shure KSM9 Dual-pattern Condenser Vocal Microphone – Charcoal Gray

A premium condenser vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail for live performance.
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Shure KSM9HS Dual-pattern Condenser Vocal Microphone

Condenser microphone that captures extraordinary vocal detail due to its switchable hypercardioid and subcardioid patterns. It features exceptional consistency across all frequencies, a dual Mylar diaphragm, a shock mount, and multiple color options.
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Shure Beta 87A Supercardioid Condenser Microphone

Vocal microphone provides warm, accurate sound. It features high SPL capability and controlled low-frequency roll-off to compensate for proximity effect. Provides low susceptibility to RFI and a shock-mount system to absorb shocks and handling noise.
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Shure Beta 87C Cardioid Condenser Vocal Microphone

Vocal microphone delivers a tailored response for a warm, natural sound. It features a cardioid polar pattern for maximum isolation, minimal off-axis tone coloration, a 3-stage pop filter to minimize breath noise, and a break-resistant stand adapter.
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Shure BLX1 Wireless Bodypack Transmitter

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Analogue wireless bodypack BLX1 for use as part of BLX and BLX-R Analogue Wireless Systems.
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Shure BLX1288/MX53 Wireless Combo System

The Shure Microflex MX153 is a professional subminiature earset microphone ideal for speech and other applications requiring low-profile discreet placement where improved gain before feedback over lavalier microphones is desired. The SM58 is the industry standard microphone tailored to deliver warm and clear vocal reproduction. With analogue wireless dual transmission

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Shure BLX1288/P31 Wireless Combo System

The BLX1288/P31 Dual-Channel Combo Wireless System from Shure includes a BLX88 dual-channel wireless receiver, a BLX1 bodypack transmitter, a PGA31 headset mic, a BLX2 handheld transmitter with a PG58 microphone, and 4 AA batteries.

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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.

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