Aston Microphones Spirit Large-diaphragm Condenser Microphone
The Aston Spirit is a high-performance switchable pattern microphone utilising a 1” gold evaporated capsule. A switch on the mic body selects from Omni, Cardioid or Figure-of-Eight polar patterns.
Aston Stealth 4-Voice Dynamic Microphone
Stealth handles SPL well and sounds full and rich. Using phantom power improves sensitivity and gain before feedback. Active Dynamic Microphone with 4 Voicing Modes, Internal Shockmount, and Quick-release Stand Mount.
Aston Microphones Starlight Small-diaphragm Condenser Microphone
Laser-targeting pencil microphone Starlight Small-Diaphragm Condenser. The Class-2 laser has an on/off switch to imitate mic placements on drums and other instruments, simplifying setup.
Aston Microphones Starlight Small-diaphragm Condenser Microphone – Stereo Pair
High-quality components make the mics sensitive, low-noise, and headroom-rich. They can handle quiet or loud sources without affecting noise or tone.
Aston Microphones Spirit Black Bundle
A 1″ gold evaporated capsule powers the Aston Spirit switchable pattern microphone. Omni, Cardioid, and Figure-of-Eight polar patterns are selected using a mic body switch. It works well with vocals and acoustic guitar.
Aston Microphones Origin Large-diaphragm Condenser Microphone
Aston AST-ORIGIN Silver is a high-performance cardioid condenser microphone utilising a one inch (1″) gold evaporated capsule. It’s
Aston Microphones SwiftShield
The Shield pop filter is a unique, solid stainless steel shield with precisely acid-etched hexagonal filter holes to provide crystal-clear voices and optimum acoustic performance for plosive (pop) control.
Aston Microphones Halo Shadow
The finest black reflection filter and portable voice booth. Easy-to-install 3D shield. Portable isolation, absorption, and reflection control.
Aston Element Microphone Bundle
Aston Element, with its all-new Ridyon capsule technology for superior performance at low cost, ships complete with a custom shock mount and pop shield.
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.